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The Cine Column
On paper, 29 carries an incredibly heartfelt premise, but its translation to
the screen is weighed down by excessive melodrama, artificial performances of lead actors, and an
Harikrishnan P S
There are only a few directors in Tamil cinema whose films I eagerly wait for.
You might know Ratna Kumar as one of Lokesh Kanagaraj’s frequent co-writers, but his own filmography
Aadhityaa Parthasarathy
The movie started off well but dont know where it went.
Cringey dialogue and scenes. If it is setup in 2009/10 then some extra efforts has to be made to look like that. For some
Raunak Gupta
Repetitive story line , weak screen play & decent ending !
Abin Babu
.
Cinema B.E
Who am I, what is my identity - Traveling in a love story to get the answers
this is experimental 👌🏻 Rathna Kumar knows his film always want to be realistic geography, 1st half
Suranjan. Cinema
👍🏻
Sai Charen
It’s a visual poem that needed a much stronger script to truly make the heart
beat as it is a little too poetic for its own good. Director Rathna Kumar undoubtedly possesses a
🍿 Popcorn Scale
✨ Story
29 follows Sathya, a 29-year-old man trying to figure out love,
commitment, and his place in life ❤️
What starts as a simple romance slowly becomes a relatable journey
Dharunn Sakthivel
"அவ உதடு திருப்பிப் போட்ட திருக்குறள் மாதிரி , கீழ் வரி பெருசாவும், மேல் வரி
சிறுசாவும் இருக்கும்" - Poet ரத்னா
Sugil SG
A film that explores identity crisis with a beautiful love story.
A good idea, but the execution could've been better. Poetic dialogues, scenes and music makes '29' a good watch
Roops Aventatator
29 is a film that hits hard in parts, but it struggles with conviction about
what it truly wants to be. Whether it’s a story about love, identity, or determination, the narrative
Shridhar Manivannan
bro tried to make a film with a heavy GVM and Ram hangover but got confused
whether to focus on romance or the hero's journey. Also what's the point of setting the story before