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Roops Aventatator
“Cinema is a beautiful fraud.”
And I Am Game is a beautiful depiction of that idea.
What a crazy concept. What an absolutely wild thought process.
There was a point while watching this where I kept thinking about Irumbu Kai Mayavi by Lokesh Kanagaraj. I don’t know if this is somehow a softer version or if I’m just connecting the dots in my head, but I genuinely felt a little tribute to that idea somewhere in this film.
The central concept is mad, surreal and completely cinematic. The thought of a spirit entering your hand and controlling it — especially when the hand is one of the most important and expressive parts of the human body — is such a fascinating premise. And this is exactly why I love cinema. You can take an insane idea, throw technology at it, and somehow bring that vision onto the screen.
Huge respect to Dulquer Salmaan for accepting a fantasy like this and also backing it as a producer. It takes some guts to put your money and name behind an idea this unconventional.
And technically, the film is a treat.
Jakes Bejoy went on steroids. The music was absolutely fantastic.
The cinematography, especially the close-up shots, was brilliant. The editing kept the film moving and, most importantly, I was never bored. The DI and colour grading were also fantastic and added so much to the surreal atmosphere.
And Mysskin — what a role. Absolutely loved what he brought to the film.
Yes, the movie has flaws.
For me, the biggest issue is the payoff.
The idea is so crazy that I kept expecting the climax to go completely berserk. But when the film finally reaches its payoff, it falls back into the comfort zone of mainstream cinema — almost like it starts thinking about what the audience wants instead of completely committing to the madness of its own idea.
And that’s where I felt a little disappointed.
Imagine if the payoff was as crazy as the premise itself.
This could have been a truly standout film.
The second half isn’t bad. I wouldn’t call it a weak film at all. But the first half sets such a high bar that the second half inevitably feels less exciting. That familiar “second-half curse” creeps in again.
Still, I genuinely enjoyed the movie.
Because at its heart, I Am Game reminds me of why cinema exists in the first place.
Cinema is a space where ideas can blend, technology can evolve, and imagination can literally become something you can see on a screen.
And this idea is one of those.
A spirit entering your hand.
A hand becoming something beyond itself.
An impossible thought becoming a visual reality.
That alone deserves appreciation.
Malayalam cinema, you keep making us proud.
I Am Game is definitely one among them.
Not perfect.
Could have had a much stronger payoff.
But definitely a crazy, engaging and ambitious film worth experiencing.
15 Sep’26 20:40
Athul Prasanna
It was a good plot, the first half also went well.
The script was better in the second half, up to the flash back scenes, but then the writing became weak. It affected the film as
A S K
DQ’s ONE MAN SHOW But Was it Enough?
- Nahas Hidhayath’s latest film I’m Game
starring Dulquer Salmaan is an okayish fantasy action film which is really well made, the technical
Abin Babu
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Gautham Harikumar
"A Commercial Entertainer With Missed Potential"
Dulquer plays Dan, a
character who lives by testing his luck through gambling and has made financial mismanagement a part of his
Rohan Nagar
https://youtube.com/shorts/CMwvYy_7oQw?feature=share
No one could guess what this film is actually about. I’m Game had a really interesting concept and I really liked the suited
Raunaq Mangottil
Dulquer and that incredible 1st half deserves a hand.
2nd half deserves a refund
Harshith ArunKumar
Dulquer Shines, But I'm Game Forgets How to Play
Nahas Hidhayath’s I’m Game
bursts out of the gate with promise. By anchoring the narrative around Dulquer Salmaan as a fully
