The rating that you see from 0-100 is calculated specifically on the average rating based on Nokio's public profile users.
Roops Aventatator
Parasakthi is a powerful, emotionally charged film that hits exactly where it’s
meant to — the message. Directed by Sudha Kongara, it stays honest to its purpose while still delivering gripping cinema.
Sivakarthikeyan is phenomenal, delivering one of the most intense performances of his career. This isn’t just acting — it’s rage, pain, rebellion, and conviction. Raw, fearless, and deeply convincing, he proves he can carry strong, socially rooted cinema with authority.
Sreeleela adds emotional balance with a sincere performance, while Jayaram and Atharvaa make strong impressions, elevating the narrative with their presence and performances.
The writing and dialogues are sharp and impactful, with several moments that stay with you — especially because they’re spoken in our own language, with pride and authenticity. The film speaks boldly, without softening its voice.
Visually, the film shines thanks to Ravi K. Chandran’s striking cinematography. The art direction (The period backdrop) and costume design deserve special mention — authentic, detailed, and perfectly in sync with the film’s tone, adding depth and realism to every frame.
Overall, Parasakthi works. It’s bold, relevant, and emotionally satisfying. Huge respect to the entire team for making a film that makes us feel heard, represented, and proud.
Grateful this film exists. Proud of this cinema.
11 Jan’26 20:46
Naima Najeeb
.
Ajay N R
Ok
Jinesh Muralidharan
The film is based on one of the most important incidents that affected the
state of TN politically with regards to the Hindi imposition protests by DMK and the student community
The Cine Column
A politically charged period drama set against the 1960s student protests over
Hindi imposition in Tamil Nadu, the film carries ambitious historical intent and impressive
Kanish S
Good Movie🖤
Shridhar Manivannan
fire is there..b
ut only in dialogues and not in the screenplay. an ambitious vision struggles by middling execution.
But still happy for SK for choosing these kinds of subjects
J Joy
Parasakthi (2026) is a Tamil film in the History, Action, Political Thriller,
and Drama genres. It deals with the issue of language imposition and strongly argues that a language
Vignesh Ramakrishnan
Despite having strong potential due to its basis in real-life incidents, the
film fails to effectively engage or intrigue the audience. Even with solid casting and a substantial
Abin Babu
.
Harshith ArunKumar
A LOT OF HEART, PASSION AND LOVE; YET HOLLOW.
This film puts a lot of emotions in the right place with great writing (upto a point), great shots, lovable characters (to the most
Sugil SG
First theatre watch of this year.
It's really good also. One of the most powerful subjects Tamil cinema can produce. Sudha Kongara did it really well with some flaws also. An
Ashwin Panneerselvam
Worstu..
Nikhil Bharadwaj
Ravi Mohan, ayya
I was not aware of your villain game
Gautham Harikumar
"Serious Topic, Template Treatment"
This movie is based on a real incident
linked to the protests against Hindi imposition in Tamil Nadu. and the screenplay clearly tries to
Sidcinnati .
It is an irony that I'm making this comparison but people who've watched both
movies will understand. For the anti-imposition struggle, this film should have been what Rang De
Cinema B.E
2.4
5 hrs rally sometimes it's ok but most of the time the puratchi did not work for me this happens in 2nd half
Pre interval emotional block followed by Interval Block 💥 had